The Hon’ble City Civil Court Bangalore, completely restrained release of the Kannada film ‘SATYANANDA’ by producer Madan Patel – until the defamation suit filed by Paramahamsa Nithyananda’s Counsel Mr K V Dhananjay itself is disposed.
20 Sep 2011
An interlocutory application was filed in this case asking that the court should restrain release of the film until disposal of the suit.
This movie is a deliberate attempt to encash of the fake news circulated virally on various mainstream media platforms against His Divine Holiness. Many references are there in the movie which is planned attempt to show Him in bad light which in turn objected strongly by Paramhamsa Nithyananda’s Counsel in the court. This movie attempts to hurt religious sentiments of Hindus by depicting Hindu Gurus in a derogatory manner.
It is unfortunate that Film Industry is in the handful of anti Hindu elements who uses money to pollute the minds of masses and implant Anti Hindu thought currents to wipe Hinduism from the lifestyle. As usual the saga of misrepresentation of Masters by Men in this Black age continues…
Copy of “Satyananda” movie stay order
Earlier media used this opportunity to ridicule Paramahmasa Nithyananda.
Below is the link of how it was used as an opportunity for His character assassination.
Vijay karnataka_11_March_2011_Sathyanandana mithya leele_Pg 3
(EnglishTranslation)
PATEL IS PRODUCING FILM WITH A TEAM OF ARTISTS AND A GROUP OF ADVOCATES ALSO ALL THESE ARE GREATNESS OF SATYANANDA.
FALSE GAME OF SATHYANANDA
MAAMTU.
For Madan Patel’s seeking he found ‘Satyananda’ this time. It appears that Patel is stubborn in saying, I shall expose true colours of fake swamies. Because, he was talking exactly like an advocate on the occassion of Muhurtha of film ‘Sathyananda’, directed and produced by himself.
It is usual to make a film keeping a group of artists. But, Patel is having a group of fourteen advocates and telling ‘action- cut’ for this film. The reason for that is the story of this film and character in the film. Misdeeds and prostitution which take place in the Ashram, are going to be reflected in this film. As his disciples are there all over the world, this is a film at the international level in that sense.
It seems pressures from diffferent corners had come for this film not to be produced. Not only that, when actors were contacted, many did not agree. Because, of the fear of threat. But, Patel, who did not losen being stubborn saying, ‘If the true colours of kami swamies are not exposed, the next generation will not forgive us’ and he has gone beyond all those things, and is involved in making the film now.
The foundation for this film is the opinion of 44 people who were caught in attrocities and cheatings by Sathyananda. Their experiences are exposed here. The Director remembers the words of a disciple-‘there won’t be a wound if pierced by a knife. But, it is not possible to bear the cheating for belief.’ He says that Indian females with immense emotional and religious feelings must see this film. It is the belief of the producer that, after seeing this film, nobody will believe in blind faith.
Ravichetan has incarnated as Sathyananda here. For this actor, who has acted in more than 50 films, such a flm is a challenge and a threat. Because, on the day of the Muhurta itself he had a threatening call. But it seems this character has brought joy for him who was in search of characters of varieties.
The interesting factor is that three months back, Ravichetan wa selected for a similar character. The name of the film being, ‘Swamy Seve’. It was finalised also. That group of film makers left the idea of producing it, as the difficulty was threatening calls.
Now such a role is available to him only. He was imitating the smile of Sathyananda. Ravichetan said that having repeatedly smiled like Sathyananda, the muscles on the face were paining. If that is so, the question arises whether the the character of Sathyananda is imaginary.
Mayur Patel is on the role of Director of this film. Soddanna and Mandya Ramesh are ready to make us laugh.
It is set near Nandi Hills. Dialogues are written by Dinesh. Raghu is the camera-man.
